![Opera Offstage](https://pbcdn1.podbean.com/imglogo/image-logo/7584031/Earn_2000_2000_px__5ncke3.png)
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Opera Offstage explores the grey area between music school and a professional career. We’re here to discuss those important skills and topics that leave you wondering, “Wait, how the heck did I not learn about this earlier?” From audition season and recitals to fitness and finances, join us as we talk, joke, and complain about everything it takes to be a classical musician in a modern world.
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![26: Issues in Opera: YAPs pt. 1](https://pbcdn1.podbean.com/imglogo/image-logo/7584031/Earn_2000_2000_px__5ncke3_300x300.png)
Tuesday Sep 01, 2020
26: Issues in Opera: YAPs pt. 1
Tuesday Sep 01, 2020
Tuesday Sep 01, 2020
Young Artist Programs can create amazing opportunities for young singers to grow, learn, and network, but they can also be pretty problematic.
From applications, to auditions, to the programs and their pay, seemingly no one in the classical voice world has passed through the Young Artist phase unscathed.
In the first episode of this two-part Issues in Opera, we talk all about how YAP programs went from being true apprenticeships to being a source of cheap labor and how that effects all of us, both inside and outside the Young Artist phase of our careers.
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